George Howard has been playing music for over 40 years. He has performed with legendary music icons including John Lee Hooker, Bo Diddley, James Brown, Bobby Key’s (of the “Rolling Stones”), Johnny Lang, Albert Collins and Willie Nelson, just to name a few.

In addition to touring, George has produced and co-produced records on independent labels, as well as promoting concerts and managing bands. He has recently been inducted into the Blues Hall of Fame and the Tucson Music Awards Hall of Fame. George is the president and founder of the Tucson Musicians Museum, which keeps him involved with many musicians and music genres. In the arena of music, George Howard is considered a heavyweight professional. When George takes the stage, the audience quickly senses that he and his band are something special. From the first chords of their opening number, it becomes apparent that these men are master musicians. George has played concert venues, casinos, private parties and resorts around the country.

The words most frequently used to describe George Howard and his band are “high energy, versatile, and unique”. "High energy" is used because their love for their music quickly emerges in each performance; "versatile" because they interpret an unusually wide range of music styles and dance rhythms; and "unique" because whether they are performing new music, an old classic or an original, these individuals have a style that is very much their own.

The George Howard band plays all types of contemporary music with close ties to blues and R&B origins including Muddy Waters blues, Chicago electric blues, Texas swing blues and the compelling sounds of Motown and pop. George Howard is the band's founding member. As the band's lead vocalist, George brings forth the band's soul, spirit and talent. When George plays the drums, his experience propels the wide variety of infectious dance rhythms behind the expert musicians. who are the George Howard Band, to an even higher level.

The George Howard sound varies from pop and traditional to contemporary rhythm and blues, which makes it impossible for his audience to listen quietly. Rather than being still, people always find themselves unable to stop moving to the music, whether in their seats or on the dance floor.