Low Hums create music in a few different modes, all broadly falling under the psychedelic umbrella (or mushroom cap, I suppose). From breezy ’60s pop to driving fuzzed-out rock to spacey, hazy tone pieces, to psych folk. - Levi Fuller Looking for gigs that pay well ! Also fun parties or all kinds, festivals, tour support for national touring bands, club shows.. ect. We've played every type of venue. We are a four man band , so we have drums, bass, guitars, vocals .. love old vintage gear.. sometimes bring weird lights, smoke machines and costumes. We typically don't bring any kind of PA gear, unless it's a small party. Everyone has been playing music a really long time. We played in, and or have been members of : band of horses, earth, alela diane & wild divine, sera cahoone, evil tamborines, bad things, marissa nadler, poor moon, J Tilman ( pre FJM ), Temple Echos, Zoe Muth & the lost high rollers , and many many ( many ) more.

"Rootsy, Southern soul-tinged Rock-n-Roll, straight from the heart of the Great NW!" Proving that great Southern Rock comes as much from the soul as the place of birth, SweetKiss Momma (from Puyallup, WA, USA - just south of Seattle) has been releasing some of the most critically-acclaimed, and best-selling, independent American roots music over the last few years, skillfully blending their gritty NW origins with county, blues, and gospel to craft strikingly soulful rock-n-roll with a subtle Southern bend. In 2010, the band came screaming out of the blocks with their debut album ‘Revival Rock’. This “Rootsy, Southern-soul tinged, instant classic. (GreatIndieMusic.com - USA)" garnered worldwide attention for the band, and went on to become one of the top selling independent albums of 2010 via music distributor CD Baby. With 2014’s ‘A Reckonig Is Coming’ (recorded in Nashville with former WILCO drummer Ken Coomer producing, and multiple Grammy-winner Richard Dodd handling the final mix and master) SKM picked up right where they left off, earning an “Album of the Year” nod from The Weekly Volcano. On the strength of the sophomore effort, the band embarked on a successful first European tour in early 2015. Though the band has seen a number of member changes through the years, the one constant has been front-man Jeff Hamel. An award winning songwriter and singer, Hamel attributes his soulful delivery and southern element of his writing to an upbringing spent playing gospel and spirituals in his local church. For SweetKiss Momma’s latest offering, "What You've Got" EP (released March 2016), Hamel teamed up with Pacific Northwest legends The Moss Brothers Band for a collection of songs that draws heavily on both SKM’s gritty riffage, and The Moss Bros. swampy heritage (the MBB as they are known, is made up of southern Alabama born-and-raised brothers Jeff and Troy Moss on guitars and vocals, bassist Kevin Dale, and drummer Zach Cooper). With 2016 seeing the band make its 2nd trek to Europe, and adding dates across the USA, there is a steady growth to SKM that is due in no small part to their expert songwriting and fantastic live performances.

Missoni Lanza sings of love - lost, unrequited, enchanted and cursed. Her music evokes memories of a bygone era entwined with the present. Heavily influenced by jazz, blues, soul and R&B, Missoni brings a breath of fresh air to her music. Her voice cuts through to the soul. With each performance Missoni brings a raw vulnerability that has captivated her audiences. Currently, Missoni is writing for her first full-length record. All her life, Missoni has been deeply immersed in music. She started the piano, writing poetry and lyrics in grade school. At fifteen, Missoni picked up the guitar and started developing her songwriting. When she relocated to Shreveport, LA, she started playing local coffee shops, venues and some of the local festivals. In 2006, Missoni was selected as a featured artist at the 'Chick Singer-Songwriter Showcase' at the Bitter End in New York. She relocated to Southern California in 2011, and began traveling across the United States and to Europe singing jazz. She has always had a deep respect for musicians and the conversation of music. Now that she has found her home in Seattle, Missoni has made the decision to dig into the roots and history of jazz to grow musically as a songwriter, vocalist and artist. Missoni performed at The Ojai Jazz Festival as the opening act for Tom Scott, Brian Nova and Roger Kellaway. She has played The Triple Door in Seattle with jazz artist, Brian Nova, and has performed in Amsterdam, Düsseldorf, Dubrovnik, Venice, Montenegro, Sicily, Germany, Cuba and Hawaii. She has opened for artists such as Nicole Atkins, Dylan Leblanc, Erin Bode, Marc Broussard, Angie Mattson (In The Valley Below), Rob Wasserman (the Grateful Dead) and more. Her song, "I'll Always Be A Stranger" was also selected as a semi-finalist in the International Songwriting Competition AND the Unsigned Only Competition. Missoni Lanza will be touring later this year to support her upcoming album.

Blue Helix is an independent Alternative Rock band based out of Washington State and formed in 2008. Following the hallowed footsteps of the 90’s movement, their music is a perfect blend of melodic rock and powerful heavy grunge, on the cutting edge of modern rock with a uniquely potent blend of the core genre and its many sub-genres. Thriving on the energies and individual personalities of each member, Blue Helix reigns as a tribute both to its members’ lives and to their vision. Winners of the 2015 Puget Sound Battle of the Bands, Blue Helix is Sami Chohfi (Guitar/Vocal), JC (Bass) and Noah Phipps (Drums).

If you’re familiar with the back allies and small venues that are warmed by the best of Seattle's local music, you've no doubt discovered a wealth of talented female singer-songwriters that would make you swear you were in the presence of Norah Jones or Grace Potter. An evening with Willow, however, is far from this. Her performance delivers, on a refreshingly current format, burst after burst of smart and emotional indie-pop flavors. Willow is a small brunette adorned in sundresses and smiles. She looks more like the kind of girl you would hang out with than an artist who's living a life committed to a character invented for the stage. In other words, she looks extraordinarily average. But then she sings... When Willow takes the stage you find yourself doing a double take–stumbling to explain how this overpowering experience of feeling and sound can come from such a small frame. When you describe the experience you'll say that it is anything but "small" and "average." Her performances deliver from a soft, but powerful voice that dances dynamically through an impossibly wide range of character, tone, and emotion. The music calls to mind elements from CocoRosie, Regina Spektor, Johanna Newsom, and Ingrid Michaelson. Willow's voice floats on ballad-like arrangements of piano. Like quick and powerful punches, her lyrics draw your imagination into her world without ever being so literal as to keep you from identifying with the songs in your own unique way. With unexpected turns and vocals that dare you to harmonize, she'll keep your attention to the last song. She is simply remarkable. Willow And The Wolf is well on its way to becoming a force in independent music.

Seattle two-piece (brothers!) whose power melodies and driving pop are the perfect soundtrack to an all-night party where you a) get drunk and pick a fight with your best friends, b) continue drinking, but apologize profusely, c) end the night hugging and/or screaming "I LOVE YOU" to everyone you know, then d) wake up wearing nothing but your old Weezer shirt.” (Emily Nokes, The Stranger)

Adrian Xavier has collaborated musically with a number of notable local and international musicians, from the original members of Heart to members of legendary reggae groups Soul Syndicate and The Wailers. Seattle's Adrian Xavier blended sax and fiddle, reggae and soul, in a highly appealing musical brew. Energetic and honey-voiced, his long dreadlocks swinging in the breeze, Xavier sang feel-good songs on the Seattle Center lawn, about how we should take care of the planet and be good to each other. His grooves were fetchingly danceable. He and his band kept surprising with eclectic riffs, off-center rhythms and fresh instrumental combinations. - The Seattle Times

Excerpt from a review from the Northwest Music Scene blog, by Rebekah Ann Curtis, 1/6/2016: If the city of Seattle dreamed, I imagine her dreams would sound like the upcoming release by The Almost Faithful. A City Dreams is a melodic offering of siren-like vocals by Kyung Lee, seductive lyrics of John Feodorov, and backed by the pope of bass Hal Daranek. This five-piece takes you on a journey that is at times progressive, often alluring, into a dreamscape of sounds that is touched by the grit of grunge, just like Seattle. The Almost Faithful’s EP begins with “My Soul is Saving Me” and “We,” two songs that alone would make a solid offering, but the band never stops delivering on songs that are worth listening to and repeating. Kyung’s delivery, reminiscent of Beth Gibbons, is bittersweet and dripping with sultry vocals. Where many bands would fail with mixing silvery vocals and grunge-tinged progressive rock into one consistent package, The Almost Faithful succeeds brilliantly.

Creature of Fear is a story of growth, wrestling demons, and facing fear. For Jess Lambert this story involved crumbling relationships, self-discovery, and facing the realities of mortality with the diagnosis of a brain aneurysm in her twenties. In time, chaos and vulnerability gave way to strength, understanding, and determination in the face of fear and the uncertainty of life. This four song EP is a glimpse into and through the struggle… a reminder of what was, and hope for what can be. Born and raised in the Pacific Northwest, Jess Lambert’s music often mimics the shifting and moody tones of her natural surroundings. With heartfelt songs full of raw personal emotion and gripping melodies, Jess Lambert creates a sound that may best be described as ardent alternative-folk. Jess stepped on a stage for the first time in October of 2009 at High Dive-Seattle after a booking agent found her music on Myspace. The following year she opened for indie artist Jeremy Messersmith. In April of 2011, after months of struggling with headaches and facial pain, Jess was diagnosed with a cerebral aneurysm. She was forced to set music aside and focus on her health and the treatment of the aneurysm. In February 2012 she returned to music and began performing again. In 2013, Jess began recording her first EP. She decided to undertake the recording process, which would allow her to create at her own pace. After a few scrapped beginnings, the recording process was finished in late 2014. Creature of Fear was independently released on September 25, 2015. Jess Lambert currently performs as a duo, accompanied by Chad Lambert on electric guitar.

The Mystic Vines is an American alternative, funk fusion band from the Pacific Northwest. Formed in February 2015. The band gained exposure following the release of their debut studio EP, “Good World”, and the single “Blindsided” (2015), available on iTunes. They are currently touring and writing songs for their upcoming full length studio album. With their upbeat, funky sound and haunting melodies, The Mystic Vines are a crowd favorite, playing at venues throughout Seattle and the Pacific Northwest. They are available to perform at your party, music festival, or corporate event.

“The newest mind expanding band to emerge from our city of Seattle is psychedelic rock trio, MASZER. My first MASZER experience was but a few weeks ago, when I watched the music video for their song, "Roar". I was on board from the start." – My Northwest.com MASZER guitarist, Tomer-David Rapaport (aka STITCX), arrived in the U.S. from Tel Aviv ten years ago, and toured relentlessly with his band Mother’s Anger (Dionysus Records). In the last three years, Rapaport, along with drummer Joseph Braley (who joined Mother’s Anger in 2007), took on world tours, opening for Black Sabbath and The Pixies, as well as playing major festivals and shows all over the world with their subsequent band, Reignwolf. Inspired by those years of musical excitement, David spent six months in his studio writing over a hundred songs in preparation for the next musical adventure. Teaming up with longtime friend and Seattle-based singer, Kate Blackstock, the trio dubbed themselves MASZER, meaning 'tithing' in Hebrew (מְעַשֵּׂר).

The Crossroads Exchange is a subtle mix of the roots of American music, taking equal parts country, blues, folk, pop, ragtime, rock n roll, and even a bit of Klezmer, to create a sound unlike anything heard on current radio. Since their formation in 2013, the Crossroads Exchange has kept busy performing regularly around the northwest, touring the western US, recording and self releasing their first album "Black Train, performing at festivals around the Northwest including Hempfest '14 and '15, Northend Throwdown, Boise Lilac Festival, and a headlining spot at Wilderfest 2015. Their ability to adapt to various styles and venues has allowed them to play alongside many great acts like The Goddamn Gallows, Kevin Seconds, Hillstomp, Calabrese, The Tossers, Baby Gramps, The Bad Things, James Hunnicutt, Jayke Orvis and the Broken Band, and countless others from punk to bluegrass and everything in between. Their music has been featured on several podcasts, and was even featured in the Funny Or Die web series Hicky: The Hillbilly Vampire. Keep up with their antics at www.TheCrossroadsExchange.com!