A new GigTown artist.

My name is Ricardo and I am a local resident DJ at Above Ultra Lounge in famous Waikiki, Hawaii for about two years. I have performed multiple times at The Republik, Next Door, The Fix, The Underground, Above Ultra Lounge, Hawaiian Brian's, Asylum and various Hawaii events. I have also been a street team member, DJ and promoter under Wonderland, Electric Palms, and OOspot event companies the past 3 years. I am well known in the local Hawaii EDM community. I play mostly house and trance late after hours type music under my moniker Modus Operandi but I also play hardstyle, trap, electro, breakbeat, and dubstep under my group Night Opz. I stay current on the newest EDM trends, sounds, and culture. I am also a producer and will provide links to my work. Mahalo for your time and possible opportunity!

I am an electronic music artist.

Austin Dj that enjoys playing House and Hip Hop

Krush Entertainment specializes in creating the perfect mix of entertainment for all types of events, from weddings and private parties to festivals and corporate events. Proudly offering unparalleled service, attention to detail, creative minds and competitive pricing, which are the ingredients for memorable events. Conveniently located in Central Texas but are available anywhere in the world. I love music and getting people to move, while providing a smile that lasts a lifetime.

Austin, TX BASED DJ/Producer Sounds: https://soundcloud.com/noahshuman

No Musical Talent All Creative Verve Free Speech Music Emphasizes Religion, Politics, and Romance Specializes in Impromptu Songs Songs include: "Why Be an Atheist?" "Syndicalist Babe" "Woman with Socialist Tattoos" "She Posted Theses" "Atheists Make Up Crap" "Girl, Jonathan Edwards is a ****" "Sexier than Richard Dawkins"

Hailing from Austin, TX and playing their own unique style dubbed as "Electro Tribe", Trouble in The Streets has moved up quickly in the local and vibrant musical culture surrounding them. Mixing a blend of influences from electronic, to world, hip-hop, rock, and R&B, Trouble in The Streets continues to leave a big musical impression everywhere they play. Most recently their EP has been featured in the Huffington Post, who says "Trouble in The Streets more than has it going on! They pour gasoline on it and then torch it." They have shared stages with George Clinton and the Parliament Funkadelic, EOTO, 2012 Grammy Award Winners Rebirth Brass Band, and Beto Martinez of the 2011 Grammy Award winning project Grupo Fantasma.

I'm a solo act that provides the sound of a duo or trio. I layer vocals, violin, synth, and percussion to create a full sound that can create an intimate sound or fill a big hall. There's a blues influence from the harmonies I choose, a folk influence from the fact that I use violin, and an electric influence from the synthesizers. Similar acts: Kishi Bashi Owen Pallet Andrew Bird

Folk singer/songwriter with elements of jazz, blues, reggae, and country. Studied jazz performance on the East Coast. Professionally performing since 2001.

The Cover Letter bare it all in their music. With every performance, it’s clear they give the audience everything they’ve got, and have a great time doing it. “It’s a vulnerable but amazing thing, writing and playing music,” says Jacob Shipman, who splits vocal performances for the Austin-based indie folk-rock group with counterpart Chelsea Barbo. “We write about ourselves and the struggles of being who we are, so, in a way, we really are pouring ourselves out all over the stage – being our true selves in front of a lot of people.” Their debut, self-titled EP, released early February 2015, spans the trenches of living with heartbreak and self-doubt all while exploring the boundaries of their genre. The Cover Letter has not only had local success, played regularly on local radio stations such as 93.3 KGSR, 101X, KDRP Sun Radio and 98.9 KUTX, and local television shows, but also on the national level, being named as one of Music Connections "Hot 100 Unsigned bands". A lineup of multi-instrumentalists, including Jacob on vocals, guitar harmonica and drums, Chelsea on vocals, guitar and piano, Johnni Roaché on harmonica, bass, guitar and piano, Jarrod Nall on guitar, bass and piano, and Trevor Van Stanfield on drums and lead guitar, offers a unique feel to every song, as the group is known for switching instruments regularly throughout their performances. “It helps us keep everything fresh. We are always playing in different arrangements, keeping the audience, and ourselves, on their toes,” says Jarrod, who co-founded the group with Jacob in mid-2013. “It’s always the same band, but it never sounds the same.” The Cover Letter recorded their EP at Ohm Studios in Austin, Texas. Produced by the talented Justin Bocanegra of Track Record Audio, the EP establishes that even though they've been down and out, they’re still fun-loving and full of heart. While writing their debut tracks, most of the members were unemployed. “We really were struggling. We had lost jobs and loved ones, and were trying to make sense of it all in a town where it’s not always easy to make ends meet,” says Jacob. “That’s where our name came from.” “Jacob had a lot to say, and we helped him put it all together,” Chelsea says. “The writing process was really intense, and sometimes, extremely emotional, but we were able to create these songs that made us feel good, and that’s what it’s all about.” Vocally, Jacob and Chelsea share a mixture of elegant harmony and raw emotion all while winding in and out of each other’s melodies. “We can both sing and we’ve both always loved groups with dual-front vocals, so it only made sense,” say Jacob and Chelsea. “What really brings it home is the rhythm. We’re always wanting to do something different, push the envelope a bit, but stick to our roots at the same time. Jarrod, Johnni and Trevor make it all come together.” The group says they have been working tirelessly on a full-length album, which they promise is going to showcase their ever-developing sound. “We are never still,” says Jacob. “Every day we grow, we write, we change and we live. We’re excited for the next chapter.”

Julia Lucille will be releasing her album Chthonic on Punctum Records early 2016. The album is being recorded and produced by Dan Duszynski and Emily Cross (of Cross Record) at Dandy Sounds in Dripping Springs, TX. Lucille met the couple through the Austin music scene a year and a half ago. “My boyfriend at the time came home from a show with their record. We put it on and I fell in love with Emily’s voice and the spacey production. I looked them up and saw all these photos of Emily and Dan homesteading on their ranch and thought, I have to meet these people.” Following a breakup Lucille moved out to Moon Phase Ranch, the property where Dandy Sounds is located and where Duszynski and Cross live, and lived in an airstream trailer in the woods for the summer. “I was struggling at the time to feel inspired. Emotionally I was feeling cynical and war-torn. But my physical surroundings were gorgeous. The roosters woke me up in the morning, I went on long, hot walks, and wrote lots of music because there’s not much else to do out there.” Dan Duszynski is playing drums and bass on the album. “My music tends to be ethereal and meandering, and kind of painfully personal, and Dan is bringing this cleanness to it, almost a Beatles-esque framework to the songs. It’s been a really fruitful collision of aesthetics.” While living on the ranch Lucille began making home recordings every new moon. “I just felt such a void at that time. When you’re in a relationship, it can bring so much magic and meaning to your life. I felt like I was going through meaning-withdrawal. I wanted to honor nature, honor cycles, honor the magic I knew existed though I felt I couldn’t access it at that time. Of course I didn’t actually sit down and say, I’m doing this because of x, y, z, but looking back I think that’s what it was about. It also became a practice in seeing if I could free myself up even more creatively through practicing radical non-judgment during the writing process.” Julia Lucille was born Julia Lucille Crager in Evanston, Illinois and grew up in Menlo Park, California. She studied music at Lewis and Clark in Portland, Oregon, with a focus on ethnomusicology. She recorded her first two albums ‘Portland’ and ‘Flower and Bones’ while living in Oregon but later scrapped them, feeling they did not represent her sound. “I felt I was approaching music from a place of lack, that I was trying to prove my abilities, and I realized this was causing me to be artistically stunted. I felt I needed to completely leave the state of Oregon to release myself from this mentality.” She moved home to California to strip her life down and took a yearlong break from performing. In 2012 Lucille moved to Austin, Texas, where she released her third and only public album ‘Homing,' which The Deli Magazine reviewed favorably. “Washed-out vocals rise and fall around dizzying suspended chords fingerpicked on a hollow-body electric, producing a wistful tone reminiscent of Elliott Smith” (Kevin Allen). “I recorded Homing at home because the last time I had recorded in a studio I was unable to channel into my intuition and I feel like the end product came out cold because of it. I was scared that would happen again.” When asked if she worried about that happening at Dandy Sounds, she paused. “I had a mild fear about that but I went ahead anyway because I trusted Dan's and Emily’s individual aesthetics. I knew I was getting myself into a situation where other people's opinions were going to be on the table but that excited me because I knew that the music was going to richly benefit from their input. And that definitely has been true." Julia Lucille lives in Austin, Texas.